Wolf Pit Draft Complete!

I did it.

After 6 grueling months, several weeks of depression, and enough overtime at work to last me a lifetime, I finally finished the first draft of The Purple Door District: Wolf Pit. Book 1 clocked in at about 76,000 words. Wolf Pit? As of now, she’s a whopping 99,000 words. Granted, she still has to go through editing, but I’m headed in the right direction.

So what does this mean for the final piece?

Ideally, I would like to publish Wolf Pit by December 2019. I’m not officially making this the date, as it’s going to depend on a couple of things.

1. I’m attempting to get accepted to #writementor with my YA fantasy book Dragon Steal. If I’m selected, I’m going to spend the summer working with a published mentor to get my book in shape for an agent showcase. That means PDD might have to get pushed back a bit.

2. Editing. Editing takes a lot of time and the book is longer than the first one. I need to do my revisions, I have to send it to my co-world-creator, AE Kellar, to pass her inspection, I need a few sensitivity readers to look it over, not to mention my main editor Leona Bushman will have to rip it apart so I can rebuild it. And after that, I have proofreaders who need to review it. That all takes time, and I don’t want to rush it. So, if I don’t make the December deadline, I imagine it’ll be ready by early 2020.

I’m sure I’m going to get the stink eye from some of my readers and a scolding from fellow authors. Why is it taking me so long to put out a book? Well, there are a few factors. I work a 40+-hour job each week, volunteer for The Iowa Writers’ House, and I’m a Director of The Writers’ Rooms. On top of that, I spend time marketing my main book, querying Dragon Steal, blogging, interviewing authors, etc. It all takes time, and when writer’s block or depression hits, that means it’s going to take even longer. I honestly don’t take many breaks from the computer. I’m usually always doing something when it comes to writing, even if it’s not for PDD specifically.

Believe me, it’s not that I don’t consider PDD a priority, I just have to make sure I pay the bills and put food on the table. And at the same time, I have to take care of my mental and physical health, which have both been up in the air over the past year. I wish I could write as a full-time author and produce more, but at this point in my life, that’s not a possibility. So while I hate to delay the books, it’s something I just have to do. That’s why I try to keep my patreon updated so that people have short stories about the characters they can read while the book is in production.

Now, that all being said, what’s Wolf Pit about? (Spoilers: If you haven’t read PDD 1, I suggest you not read the book promo).

Tess Montgomery isn’t your typical member of the Chicago wolf pack. In fact, she’s not a wolf at all. She’s an adopted fire magus of the pack and thus doesn’t always “play by the rules.” When her father and her best friend Nick are kidnapped in what the parahumans assume is a Hunter operation, Tess’s pack is thrown into turmoil. With Alpha Paytah unable to step outside the bounds of his new position as Violet Marshall of Chicago’s Purple Door District, Tess takes the reins to plan a rescue attempt.

Meanwhile, Nick and his fellow wolves find themselves in a world of battle and bloodshed. The Hunters have set up an illegal fighting pit where the strongest survive and the weakest are traded or killed. It’s all Nick can do to keep up the spirits of his packmates and help them escape. Or survive long enough until they’re rescued.

Unfortunately, Tess’ rescue mission fails spectacularly, leading to her capture. She finds herself the unwilling guest of a local Hunter named Arjun. Handsome, charming, and deadly, Arjun tries to convince Tess that not all Hunters are the enemy.  He even offers to help her find her packmates. But is he true to his word, or does he have his own wicked plans in mind?

As you can see, there’s a lot going on in this book and many POV switches so you can experience what’s happening both in Tess’s world and Nick’s. It was a challenge to provide equal time to both, but I’m hoping it works out.

I’m really excited to share the cover and the story with all of you. The cover I’m planning to release on May 1st, 2019 in its full glory. Those of you who are patrons, however, get to see it early 😉 That’s my gift to you since my story this month is going to be a bit late due to finishing up PDD.

I want to thank you for following me on this crazy journey/adventure, and I hope you’re excited for Wolf Pit.

Writing with Chronic Pain

I want to tell you a story, one that I tend to vaguely mention in posts with phrases like, “I have eye trouble,” or “I’m light sensitive.” Over the years I’ve stopped talking about it as much because I haven’t wanted to bother/bore people (and it’s just kind of a daily thing for me now), but I’m starting to realize when you don’t discuss chronic pain, people don’t realize the seriousness of the issue. And that while some things you do to alleviate pain may seem funny, it’s really not a laughing matter.

About seven years ago, something changed with my vision. It started with an ocular migraine. One moment I was fine, the next, my vision started to pixelate. A strange line appeared across my eye and kept pulsing so quickly I started to lose my vision. It got so bad that about 75% of my vision went out, and I had to grab onto walks just to walk around at work.

I thought I was having a heart attack.

Ocular migraines can last anywhere from moments to 30 minutes, and I’m on the longer spectrum. I’ve gotten them while driving, working, and writing. It used to terrify me every time it happened. Now? I’m just kind of used to getting them and just wait it out as best I can and hope that it doesn’t spark a full-on migraine.

About a month later, things got worse. My eyes had been wearing out faster than usual and I wasn’t sure why. Then one night, while I was looking at my computer, my vision completely doubled.

Ever since then, I’ve battled with pain in my eyes.

For seven years.

At the worst times, it feels like someone is shoving their fingers into my eyes and shining a bright light that I can’t look away from. My forehead is stuck in a vice. A certain level of light can start up the issue and then something as simple as looking at a computer or reading a book takes a painful toll on my eyes.

I’ve been to eye doctors and ophthalmologists. I went to the Mayo clinic. I tried medicines that have made me suicidal or caused insomnia. I’ve been told not to bother coming back because a doctor didn’t believe me. I’ve used prisms and been falsely diagnosed with lazy eye. I’ve tried eye drop after eye drop, changed glasses, had plugs inserted in my tear ducts, taken antibiotics for inflammation, etc.

The most anyone can tell me is I have severe dry eye, light sensitivity, and I used to have blepharitis, an inflammation of the eyelids. But even with all the treatments, and with my eyes as healthy as they’ve ever been, the pain is still there. I’m at least to the point that I don’t wake up in the morning and fear that I won’t have the eye strength to do work. But I don’t know how I’ll be in the evening when I want to write.

I live in perpetual darkness. The most light I might have on at my house in the evening is blue Christmas lights, or a single lamp, because more light than that is painful. And believe me, using full-spectrum lights for depression are NOT fun (though at least they help my mood).

To top it off, I also have chronic migraines. I take a medicine three times a day to keep them under control, but when they hit, they can be debilitating. And unfortunately, my eyes are the first to go down. I’ve thrown up because the pain was so bad. I’ve had to lay in complete darkness with cold cloths over my eyes and on my neck to stop the pulsing pain radiating through my skull and eyes. And there’s no telling how long the migraines will last. It could be a day. It could last several. If my eyes become even more sensitive to light, that’s generally my first sign a migraine is coming on.

I’ve had to fight tooth and nail at work to be placed in a darker location so I can actually perform my job. And I still have to wear a hat to block out what light comes near me because otherwise my eyes spasm and start to hurt. Sometimes I even have to wear sunglasses or put a shawl over my head to drown out the light. And you know, it gets tiring when people crack jokes about it. I see the looks people give me when they walk by and I’m wearing a hat inside or donning a pair of glasses so I can finish my work. I hear the snickers or snide remarks when I have my computer settings so low or use a blue background when writing so I can actually do something I love. I also hear the whole, “It’s just a headache,” comment or the scoffing, “WOW, you really are light sensitive, aren’t you?”

And it sucks. Because what people don’t realize is it also affects the things that I love most which are writing and reading. When I say that it takes me awhile to get through a book, it’s because it physically hurts to read for long periods of time. There are nights I want to write pages of my story, but if my eyes are having an issue, that goes out the window. I used to be over the moon when my favorite authors would come out with big books. Now I just dread seeing them because I know how much time and eye strain it’s going to take to get through the story. Yes, I know I can listen to audio books, but for me, it’s not the same. I can’t look at the text and visualize things as easily with audio books as I can while reading and holding books. Of course, that doesn’t mean I won’t use audio books. I have quite the library stacked up.

Reading used to be my stress reliever, and now I have to really work if I want to get through a story. And when it comes to editing my own stuff? It can be an absolute nightmare. I’ve had tears screaming down my cheeks trying to edit my writing because it hurt to read, but I needed to get my deadlines done. Even now while I’m writing this post I can feel my eyes watering and I’m closing them periodically to give them some rest. And it’s not just from staring at screens. It’s while I’m hanging out with people. Grabbing tea at a coffee shop. Gardening. Cleaning. Shopping at the store.

It’s always there.

I’m not writing all this to have people feel sorry for me, or to whine, that’s not the point. I just want people to understand that I do things like wearing sun glasses and hats or rarely pick up books these days not because I want to, but because of chronic pain. It’s not always visible, and believe me, eye problems and migraines have definitely caused my anxiety and depression to escalate.

I’m grateful the eye doctor I have now wasn’t like the others who told me not to come back. She stuck with me and has made things bearable for me. And we’re still hopeful that things will continue to improve over time.

So be kind to people who have invisible issues. You never know what’s going on behind their exterior wall.

Pirating Books

Pirating books. You’ve probably seen this topic in the news over the past couple of weeks and heard the heated discussion revolving around it. In short, a website called OceanofPDF, known for hosting pirated books, was recently shut down. Publishers like Penguin, HarperCollins, and Random House issued tons of take down notices, and eventually the requests went through. You can read more about it here.

This should be a good thing, right? A site that’s allowing people to essentially steal an author’s work is no longer able to distribute the pdfs. Unfortunately, there’s been a lot of backlash in which authors are being called “Elitist” and selfish for wanting money for their work. Now granted, some of the people do have a good point. If they’ve already purchased the books and something happened to them, shouldn’t there be a way to get them back? Or what if they bought a paper version and want an e-book for the road that came out later?

First, if you lost the book, I’m sorry, but if you lost a DVD or music, you’d have to pay to get that back, too. If you want the e-copy, some authors will sell packages of e-books and the paper book, so you can just get it that way. Or just buy the e-book. Generally, e-books are priced a lot cheaper anyway. My paper book is $15, but my e-book is $3.99. I’m not asking you to pay full price for the e-book.

Some people have argued that 1. they don’t have the money for books or 2.  they can’t get them from the local library. Generally if you speak with a library about wanting a book, and there are enough requests, the library can buy the book or even loan it from another location. If you get the book around the time it launches, many authors put their novels on sale. Or they’ll do low sales or offer giveaways.

We’re not dragons stealing your money and cackling on top of our glistening hoard. Most of the money we actually make off of our books goes towards expenses in order to bring more books to you. Spend money to make money. So to have our work put on a site without our permission and to watch hundreds and thousands of people download it without us seeing a cent from it is…how is that fair?

I want to give you a look into how much it costs to actually publish a book. It’s different for traditional and self-published authors, but we all put money into it.

First, it starts with our time. I work a full-time job, and I spend most of my free time (what little I have), writing my novels. This is not just a casual hobby. This is something I want to turn into a profession, so I dedicate my time to it. I’ve taken courses in writing, storytelling, plot development, creative writing, (which costs money,) so I can create my books. It also causes a lot of emotional strain to do what I do. See Writing with Depression for clarification.

And then there are the other expenses once I’ve actually written the book. I have to pay for things like:

  • an editor
  • proofreaders
  • sensitivity readers
  • cover artist
  • promotional materials
  • book swag
  • programs like Scrivener and Adobe DC to format the books or a designer who can do it for me
  • buying the books themselves
  • tables at conventions to sell my books
  • hotels/gas/meals to travel and sell

It all adds up.

Most of the money that I’ve made from sales have gone back into my book or is being used to take care of costs for the next one. I’m not rolling in money, so yes, every dollar does help. Some people say, “Well, I’ll give you a review. That’s payment enough.” Look, any review is wonderful, and I’m grateful for it whether it’s good or bad. But the thing is, if everyone decided that’s how they were going to pay for the book, I’d have hundreds of reviews, but no revenue.

We pay money for movies, music, theater, etc, but when it comes to art and books, suddenly it’s just too expensive. I understand our economy is awful, and I’m drowning in debt as well. But it’s heartbreaking to realize that something I spent months or even years on is being handed out for free. If I want to give it away for free or drop the price, that’s my prerogative, and I would promote it so that people who are having trouble buying my book can get it for cheaper. Some say I get more readers if my book is given away for free. Hey, that’s great. I love getting more readers. But what about all the time and effort writers put into their craft? Does that mean nothing?

If it was just happening here and there, that would be one thing. But there are whole sites dedicated to this. I give books away. I reach out to libraries to see if I can get my books there so people who are low on cash can at least borrow the book. But that’s my decision and my right to do that.

I guess what I really want you to understand is that being a creator and doing something I love doesn’t mean that I don’t put a ton of work into it. I’m providing a service. Is it so bad that I would want compensation from it so I can keep creating and bring more stories to my readers?

I’d love to hear your opinions on it.

 

Updates: Novels, and Contests, and Summits, Oh My!

Well, it has been quite a few crazy months since The Purple Door District launched. Within a month, I sold about 100 copies, and I anticipate that future conventions will see even more sales. I really appreciate all of the support from the community!

With that being said, let’s get into some updates!

The Purple Door District: Wolfpit / Patreon

The second Purple Door District book is slowly coming along. After a rough few months of writer’s block, not to mention some mental health issues, I’m finally getting back into it! I’m about 50,000 words into the book, and I finally have the back cover mostly written up, which I’ll share with you guys soon.

In the meantime, I posted a short story from the world of The Purple Door District to Patreon called The Magus and the Vampire. The story is set a year before PDD and reveals how Gladus and Trish first met. If you’re interested in reading it, stop by Patreon. As a patron, you’ll have access to all original chapters from the first PDD and you’ll get to see PDD 2 before anyone else.

For those of you who haven’t picked up the book yet, The Purple Door District is available on amazon, on my website, and through bookstores like Prairie Lights, M and M Bookstore, and The Makers’ Loft.

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Contest

I‘m currently in a contest for best cover through AllAuthor. If you have a chance, I’d greatly appreciate it if you went and voted here.  There are 2 days left in this round. This site is also a great way to showcase your own books and covers! It’s now open for March submissions, so be sure to get your book in! 

 

 

 

Women in Publishing Summit!

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What if I told you I could get you a free ticket to a week-long event that is all about all the tools you need to help you write, publish, and sell that book you’ve either been dreaming of writing, trying to write, or have written but need help with #allthethings? And even better, that you don’t have to even leave your home to participate?
Good news! The Women in Publishing Summit is coming! A week-long, FREE, online event!
March is Women’s History Month. It’s an awesome time to to celebrate, honor, and learn from a line-up of amazing women in the writing and publishing world who deserve some applause.
The Women in Publishing Summit sponsored by Thinkific, runs March 4-8, 2019, covers all things related to writing, publishing, and selling a book. It’s Created FOR women, BY women, for women who want to write a book, have written a book, are in the process of writing a book, or perform some kind of function related to writing, publishing, and selling a book! You are not going to want to miss it.
Register for your FREE ticket now. https://erincasey–writepublishsell.thrivecart.com/free-wip-registration/
I guess this is the part where I also mention I am one of the speakers! During the summit, I’ll discus how to find the “write” community. Where can you find fellow writers? What makes a writing group right for you? And more!
This summit is being hosted by my friend, Alexa Bigwarfe. She is an author coach and publisher and noticed that there seemed to be a real void in the female voices present in online conferences and training programs on writing and selling books. So, she set out to change that. And I thought it was a great idea too!
Here is the schedule of topics for each day:
Day 1: The Big Picture for Your Book
Day 2: Your Path to Publishing Success + Mindset
Day 3: Production, Distribution, Legal – Editing, Design, Taxes, Copyright, etc
Day 4: Book Launch Strategies, Marketing, Marketing and more Marketing
Day 5: Tools and Resources for Writing, Publishing, and Marketing Your Book
I hope you’ll join us!

Upcoming Showings and Events

March 2nd, 2019: Author Signing at M and M Bookstore
March 4th-8th, 2019: Women in Publishing Summit
April 18th, 2019 (6pm): Ottumwa Public Library Book Reading
May 17th-19th, 2019: OWS Cycon 2019 (online event) 
June 29th-30th: Book Signing at West Valley Mall
September 7th-8th: The Writers’ Rooms Presents: I.O.W.A. 
Once again, thank you for everything, and I hope to see you at my upcoming shows! I’m already signing up for ones in other parts of Iowa, and I’m hoping to do a few in Chicago since that’s where PDD is set.

Happy reading and writing!

Depression and Writing: Don’t End Your Story

People often ask me why I write. I give them plenty of answers like, it’s what I was born to do (cheesy, I know), it’s as vital to me as the air I breathe (also cheesy), I love to create new worlds, I have stories to tell, etc. etc. Writing is also my outlet when I’m stressed or depressed. When I slip into the text and the world falls away, I feel a warmth in my chest that dissipates every awful thing I’m feeling. I’m lost in the story, and everything feels right with the world. In a way, my writing saves me from my negative emotions.

But what about those times when it can’t? What about the times when writer’s block is so strong is drives me into a downward spiral of depression?

I’ve written about anxiety, depression, and writing before, but what happened a week ago is very different.

On February 2nd, my depression almost won. I won’t go into great detail, but I checked myself into a psychiatric ward with the guidance and support of a friend so that I could take care of my mental health.

So I wouldn’t end my story.

You see, I love writing, but I do the same thing many writers do. I attach my self worth to my craft. If I can’t write, I feel like something’s wrong with me and I stress myself out more than necessary. It’s habit. It’s worse when I have a block on a big project I want to complete such as Purple Door District 2. For months I’ve struggled and felt disconnected with my craft. That’s bad enough, but when writing is supposed to be an emotional outlet, and I lose that, I sometimes feel like I lose my purpose too.

Don’t get me wrong, a lot of things compounded over the months to make me so depressed, but not being able to write was a huge part of it. Writers tend to forget about their mental health when they’re so busy creating. We get swept up in what we should be getting done or how we’re not doing enough that we forget the warning signs our brain sends us when we’ve pushed ourselves too far.

-Lack of interest in the things we love

-Unable to deal with daily stresses

-Losing sleep over worry

-Beating ourselves down for not writing because we see ourselves as failures

Sound familiar? I was feeling all of this, and yet I didn’t realize just how depressed I was until it was almost too late. I’ve said it before and I’ll say it again. I’m not shy when it comes to talking about my mental health. Several writers on twitter have been told that they shouldn’t discuss their emotions or mental health because it’s “unprofessional” or “no one wants to hear their drama.”

Bullshit.

Talking about how you feel makes you more real. It makes you more human and relatable. If Twitter, Facebook, Instagram, and blog posts are your outlets and the only places you feel safe talking about your emotions, then do it. The United States has such a stigma about mental health, like it’s a hush hush topic that no one should talk about.

Again, I call bullshit. If we talked about it, then maybe more people would know when to reach out for help. Maybe more creative minds would realize they’re not alone in their struggles and there are people who care what happens to them.

You are not your craft. Your worth is not measured by your word or page count, or your amazon reviews, or the number of books under your belt.

One of the things that struck me the hardest about going into the psychiatric ward was when the therapist said, “You’re a writer? Oh yeah, I’ve probably seen most of the writers in the city here.” What does that tell you about us creative folk? We push and push and beat ourselves down when we should be lifting ourselves and others up for our/their accomplishments.

So in case no one has said this to you today, you matter. You are amazing. You are loved. And you have a purpose. No matter how lonely you feel, there’s a community out there that understands what you’re going through. If you’re too nervous to call someone for help, then try #writingcommunity on Twitter, or any number of writing hashtags on instagram. Believe me, you’ll find that there are more people like you than you even realize.

And during those really bad moments, when you feel like the world is coming down and you can’t see the light at the end of the tunnel, please consider calling the suicide hotline: 1-800-273-8255.

Your story isn’t over yet, and the world wants to hear it. You’re not alone.

Why Did I Indie Publish?

Since self-publishing The Purple Door District, I’ve received a lot of questions about why I decided to go that route. Well, I want it to be clear that I actually hope to become a hybrid author. My goal is to self-publish some books and traditional publish others.  I want to experience both worlds and see which one works the best for me. For all I know, indie publishing will win out.

The first answer to this question is easy. The Purple Door District is a component of a larger series called Fates and Furies that I write with my co-author, AE Kellar. We decided early on that when we published the books, we wanted to go the indie path. We’d have more freedom that way and we could keep all the important elements in the book without the fear of having a publisher take them out. We wanted control of the cover and the publishing schedule. We both have tight schedules and sometimes we just can’t write together. We didn’t want the pressure of a publishing house coming down on us, insisting we had to have work done at a certain time when it just wasn’t feasible.

Now, that being said, we still want to put work out consistently, but indie publishing is more flexible and more forgiving when it comes to time frames. If we have to push publication dates back to make the book better and stronger, then so be it. So, The Purple Door District was guaranteed to be self-published.

But what about my other books like Dragon Steal or Traitors of the Crown? Why not self-publish those?

Well, again, I want the experience, and I feel like those books might do better with publishing houses that focus on the same type of topic.

Indie publishing is an adventure, to be blunt. You have control of everything. Writing. Editing. Choosing editors/proofreaders. Finding the cover. Marketing. Formatting. Publishing. Distribution. You wear all of the hats, and while that can be daunting, it can also be extremely enjoyable and rewarding. I went from having this book I was just posting on patreon with a rough cover to a published copy in my hand and in bookstores. I spent six months doing my marketing and printing campaign, and I honestly couldn’t be happier.

I was relieved that I could choose my own cover. Often in traditional publishing, you don’t get a say in it. In my case, I found an artist, and she and I worked together to perfect the cover. She willingly listened to my suggestions and adjusted the art so it turned into the lovely piece it is today. Likewise, I found artists who could make character images for me, and I was the only one who could say if it matched my vision. I had the final approval. You don’t always get that in the traditional world.

I also was able to choose my own editors and proofreaders. I went with people I trusted, who had worked with me either for a long time or had demonstrated a passion for the craft and my book. Our relationships became harmonious, and we were able to message each other without having to worry about a publisher watching over us.

Indie publishing is no longer as taboo as it used to be. Authors are spending money to acquire editing services, and more freelance editors are appearing everyday. One of the biggest things I love about indie publishing is working with the community. I’m not the only one benefiting from publishing the book. Editors, proofreaders, artists, PA specialists all have a hand in the book and receive payment for their work. I’m proud to have met so many incredibly talented people and it brings me great joy to promote them on my website.

Indie publishing is a lot of work and a ton of money (depending on how you want to do it). You can indie publish and not spend a dime except for purchasing books. Or, you can put more of your cash into it to create a bigger marketing strategy. Again, the choice is yours. You have control over your own process. And you don’t have to worry about a publishing company folding and dropping the series you’ve been working on (it’s happened before).

I’m not waiting for anyone to promote my materials or set up book signings for me. I do it all myself and go where I think I’ll have the most success. Walking this path has turned me into a stronger and more knowledgeable writer that I’m not sure I would have received from traditional publishing alone. Yes, in traditional publishing you still have to help market, but not to the same extent as indie.

I give a lot of credit to those who have self-published before me, and those who will after me. I feel like may of us have become a close-nit community because we all know the struggle of creating and promoting our books. The writing community is incredible, and no matter if you choose to self publish or traditional publish, I hope you’re proud to be part of the community.

A Writer’s Therapy Pets

As I write this entry, I’m curled up on my couch with my parrot, Aladdin, fast asleep on my chest. Sometimes he grinds his beak happily, and I feel the vibrations, which help bring down my anxiety. On some of my worst nights, I know he’ll be willing to cuddle and slow my pounding heart.

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There are no words to describe the importance of therapy pets. For writers, I think having that constant furry, scaly, or feathery companion is extremely important. Writing can be a solitary project, and when you feel alone in the world, it’s nice to feel needed by a little critter.

I’m not shy when it comes to talking about depression and anxiety. I’ve mentioned in previous posts that I deal with both, and sometimes they make me hate my writing as well as myself. On the darkest nights, I’ve even had the thoughts of not wanting to wake up the next day. I can’t count how many times I’ve gone into the aviary and picked up Aladdin, or my other parrot, Orion, and just held them so I could feel their little bodies against my heart. Their warm presence reminds me that I’m needed, and even if, at times, I feel cut off from the world and alone, I’m really not. They need me. And I need them.

Now, having pets doesn’t come without it’s drawbacks. There are days when the anxiety gets so bad that even the slightest squawk or noise can set me off, in which case I know I need to walk away. My babies are pretty forgiving, though, and always welcome me back. I just hope they all understand just how much I love them.

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I see writers post pictures of themselves with their pets, and it makes me so happy. There’s nothing better than settling in to write and having your furry/feathery companion with you to keep you company. While Aladdin snoozes under a blanket on me, Orion likes to perch on my computer screen and fall asleep. I feel lucky to have them, as well as my doves, Luna, Apollo, and Nova, and my finches, Zeus and Venus.

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So if you’re a writer, and you’re feeling particularly alone (and you know you can take care of a pet), consider bringing a companion home. There are always animals available, especially those in the shelters, looking for homes.

Most of my babies are rescues of some sort. Nova, my dove, came from a bad home where she and her mate were used in videos. She was discarded because she was too much work after her mate died. I don’t think she even had the opportunity to fly around much because she grew exhausted quickly when she tried to fly at my home. It’s taken a few years, but my little girl is a happy bird who adores Orion and spends her days playing with him, warming her eggs, or hanging out with me at the computer. Without me, it’s likely she wouldn’t have found a home in time to save her. And without her…well, I don’t know what I’d do without my little honey bird.

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Luna came to me ill and I spent weeks nursing him back to health and making sure that Apollo didn’t come down with the same sickness. Zeus, Venus, and Athena (rip), were cast aside by their previous owner, so I brought them in. Aladdin was deemed a “mean bird” and no one wanted to buy him at the pet store. He was there for 10 months before I brought him home. While still bitey at times, he’s such a little lover, and I can’t imagine my life without him.

They’re part of the inspiration behind my writing. My main character in The Purple Door District is a werebird after all. Don’t be surprised if you see a little parrot show up in one of the stories. Besides helping my anxiety and depression, they act as my little muses too.

If you have pets at home that help inspire your writing, feel free to post them below. I’d love to see them!

Happy writing!

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Sequel Struggles

It hasn’t even been a month since I published The Purple Door District, and I’m already feeling the dreaded sequel struggle. You know the feeling. You finish book one in a trilogy or series. Ideas blossom in your head for the next story. Your characters weave their tales and are ready to continue their journeys. You sit down to write.

Nothing.

Yes, this is going to be one of those raw blog posts where I talk about my struggles and then still try to provide some advice thanks to the help of other incredible writers.

Right now, I’m trying not to throw my computer at the wall because I’m so frustrated with the book.  I managed to write part of the story during NaNo, but now I feel stuck. One reason is because I’m intimidated by book one! I’ve received a lot of really good feedback, and while I know I can still make changes, I don’t want to write a sequel that’s subpar. Not only that, I’m not working with the same exact cast. New characters are popping in left and right, and they’re making the story that much more detailed and difficult.

Don’t get me wrong, the second book was meant to be more detailed and have bigger stakes, as it should, but I didn’t think it would cause me quite this much stress and fear.

I reached out to an incredible romance writer named Eliza David who sent me one of her blog posts about writing a sequel. You can check it out here. She provides some incredible tips such as taking notes of your characters from the first book, and also allowing characters (and conflict) to grow. Check it out!

As I’ve worked on my sequel, I’ve learned a few things that I thought I’d share as well. If you have tips, let me know!

  • Character Bios: Make sure you have character bios and descriptions from the first book and keep adding to them for the second book so you don’t have to keep researching and remembering who has what eyes or hair.
  • Talk it Out: I spent part of the day talking to my co-creator about book two. She had a bunch of valuable advice, and you can do the same with a fellow writer, especially one who has read your book. Outline the next story for them to see if it makes sense and if your book is going to hold your readers’ attention as much as the first.
  • Read Your First Book: This might seem obvious, but I didn’t really think about it when I started in on the sequel. I’d spent so much time editing PDD 1, I thought I wouldn’t have to read it again. Boy, was I wrong. I think it’ll help me stay in the groove of working with some of the same characters once I review it.
  • Outline: Outline your sequel to see if it makes sense in the world of book one. And if you have another book after the sequel, try to outline that book as well so you know where number two needs to end. Granted, this is more for the plotters rather than the pantsers, but I think it’s beneficial to both.
  • Allow Yourself to Feel Frustrated: Seriously, writing a sequel is scary and hard, so if you get frustrated, it’s completely normal. Allow yourself to feel (kick, scream, and cry if you need to), then get back to work. It’s better than keeping it all in.
  • Remember First Drafts Suck: Don’t get intimidated by your edited writing in book one. It started off as rough and unpolished as the sequel. The most important thing is to get the words on paper. You can clean it up later.

Believe me when I say you’re not alone in your dread of writing a sequel. Do what feels right for you, and look up suggestions for how to get through blocks and over hurdles.

My biggest suggestion is try to find a way to embrace your book and not be afraid of it. Because if you’re afraid what could happen, the only person who will ever know the story is you.

Write it.

You can do it!

2018 Wrap Up and 2019 Goals

I can’t believe that 2018 is finally over. It felt like the year that just would not die! I made resolutions last year, but most of them I don’t even  remember, except for wanting to start querying Dragon Steal, which I did manage to accomplish. For this post, I’d like to go over some of the awesome (and not-so-awesome) things that happened this year and cover my goals for 2019.

2018 in Review

  • Finished editing Dragon Steal and submitted it for publication.
    • I’ve received several rejection letters but recently got a full manuscript request. While the rejections have hurt, at least the book is out there!
  • I created my own website and started developing a branded persona on twitter, facebook, instagram, etc. I have over 1,000 followers both on twitter and on instagram.
    • Even better, I’ve met a ton of amazing authors and creators through these sites who I can’t wait to work with next year!
  • Wrote, edited, and published The Purple Door District.  I can’t believe I developed my own marketing and indiegogo campaigns, formatted the book, published it, and held a launch party all in the space of six months. The question is, can I do it for PDD2?
  • Had “Latte with a Shot of Poltergeist” and “Frozen Heart” published in anthologies.
  • Submitted more short stories and poetry than I ever have before. While I received a lot of rejections, I at least received a few publications.
  • Officially launched The Writers’ Rooms with my co-Director, Alexandra Penn. We also finished our Articles of Incorporation and got certified as a non-profit corporation.
  • Helped develop the concierge anthology through The Writers’ Rooms.
  • Returned to my college and taught a few classes about publishing and NaNoWriMo.
  • Wrote 50k words for The Purple Door District: Wolf Pit.
  • Lost about 45 lbs through exercise and healthy eating.
  • Attended my first book signing event with other authors and signed up for even more in 2019.
  • Hosted giveaways for my book and swag that was developed by local creators.
  • Started my patreon account to help raise money for my writing career.
  • Received honorable mention in Writers of the Future.
  • Truly started my profession as an author.

It’s been a really big year for me writing wise. I still can’t believe that six months ago I decided to publish The Purple Door District. It seems like ages since I made that decision. I’ve managed to publish a few pieces of work this year, including on wattpad and patreon.

Next year, I hope to do even more, but also find a way to take care of myself at the same time.

2019 Goals

  • Focus on my mental health and take better care of myself mentally and physically.
  • Find an agent and publisher for Dragon Steal.
  • Finish writing and publish The Purple Door District: Wolf Pit.
  • Work on Fates and Furies with my co-author, AE Kellar, and hopefully publish the first book, if not in 2019, then in early 2020.
  • Submit more short stories and poetry for publication.
  • Start working on The Purple Door District #3 and Dragon Steal #2
  • Return to working on Traitors of the Crown.
  • Lose more weight for health reasons and get healthier.
  • Attend multiple writing conventions to both sell my books and to meet other authors.
  • Start my path to becoming a full-time author.

These are pretty ambitious goals, but I think most of them are possible. I really do need to focus on my mental and physical health, though, because I managed to break myself a few times while working on PDD. If I can’t hold myself together, I won’t be able to accomplish any/all of this.

I’m really proud of what I did this year. It’s my biggest year as an author, and I can’t wait to see what 2019 holds. I’m also a little scared. What if next year doesn’t unfold as well? I guess that’s all part of growing up and making plans as a writer, though. Some years you’re going to make it big, and some years are going to be a lot slower. I hope 2019 is still a fantastic one.

What are your goals for 2019? Feel free to share them below! Also, let me know what topics you’d like me to cover this year!

Happy Writing!

Erin

Creating a Book Launch: Reflection

It’s been a week since I launched The Purple Door District. It’s hard to believe that it’s over already after so many months of work. I’ve had people ask what went well, what didn’t, what would I like to change, and so on and so forth. After some reflection, I thought I’d share a few tidbits for anyone else who’s preparing to launch their book. As I say in many of my posts, these are just ideas and not the true method. What works for me may not work for you, but it may give you a place to start.

To make this a little easier, I’m going to divide this into three sections: what I did, what worked and didn’t work, and what I’d do next time.

Warning: This is going to be a long one!

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What I did: 

  • Indie Publishing: I gave myself 6 months to launch my book so I could build up an audience and get my social media platforms off the ground. Keep in mind, I was mostly starting from scratch. I had Facebook and Wattpad, and I had just started on patreon, but that was about it. I decided to go the indie publishing route, which meant I had to do all my marketing by myself, hence the six months of preparation.
  • Cover reveal: I revealed the cover of the book about a month in so that it, and the title, could get out and attract attention.
  • Social Media: I started building up my social media. Twitter and Facebook brought the most people to my website (according to the analytics). I also created an Instagram account. I bounced back and forth between these three, and featured special topics on Instagram like my Book Love Tour, author interviews, and blog entries. I created a schedule for myself to write a blog post every week, which I’ve managed for a few months now. When I got closer to the book release, I created a Goodreads and Bookbub account, per the suggestions of other authors. Through all the social media sites, I worked to build my audience and find fellow writers who might be interested in the book, and who I could help.
  • Website: I developed my own author website to host information about my books, author interviews, my literary projects, details about the community, my volunteer work, etc. Basically my website is a one-stop shop for anyone who wants to know about me and my work. You can find all my social media through it.
  • Patreon: In December 2017, before I even decided to publish PDD, I started posting a chapter or two every month. This meant I had early readers and got a few people interested in the book. I intend to do the same thing with PDD 2.
  • Interviews: Through Facebook, Instagram, and Twitter, I found people willing to do interviews with me to help promote my book. I worked to space them out over the months so there was always something fresh for people to read. In the same vein, I interviewed other authors to show them support. It’s been a lot of fun getting to meet so many different people.
  • Libraries/bookstores: I started contacting libraries and bookstores who might be interested in carrying my book. In the end, I had three bookstores in the local area who wanted them, and another in the works. Libraries are a little more reluctant to take in indie-published books, but I did manage to get a couple to agree to carry the novel.
  • Press: I wrote press releases for my book launch in hopes that it would help bring more people to the event and also share the news about the novel to more people.
  • Swag: I developed some of my own swag and also brought on people to create art, necklaces, and sand bottles for my book. My intent was to give them support while also helping to promote PDD. It was a lot of money, but the results spoke volumes.
  • Indiegogo Campaign: Indie publishing is not easy, as many of you probably already know. I started up an Indiegogo Campaign to try to offset some of the costs. I spread it out over a month, aiming to gain $4,000.
  • Book Launch Location: I picked a special location for my book launch. The Makers’ Loft seemed like a fitting place because it is all about representing indie artists. It has a great space, and it is still new and starting out, so I wanted to bring publicity there as well. Plus, their marketing team is really good. I’m really glad I chose it.
  • Giveaways:  I did several giveaways over the course of the 6 months. In the beginning, I was just offering swag as gifts (necklaces, posters, etc) because the book wasn’t done. Then I started giving away the e-book, and finally I offered up the published book in bigger contests that ended up helping me build my newsletter.
  • Newsletter: I developed a newsletter to keep people updated on what I’m working on. It helped me keep people interested and connected me with my readers more.
  • ARC: I gave out advanced reader copies to people I knew would finish the book and provide reviews on Goodreads, and later Amazon. I hoped that the numbers would get me closer to the 50 count which triggers Amazon to start promoting your book.
  • Paid Ads: I spent a little money on ads for the newspaper, Facebook, Bookbub, and I think a couple of other places to garner attention.
  • Connections: I worked with my author connections to gain more information about how to launch my book. I also got PDD out word-of-mouth and developed a street team to help me share information about the book around social media platforms.
  • Signings: I set up two signings on the day of the book launch, as well as several others in the future so people would know right away where to find me if they couldn’t make it to the actual launch.

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What Worked/ What Didn’t 

  • Indie Publishing: I’m actually really glad I went this route. I’ve learned a lot about indie publishing over the past six months, and I now have a better idea of what I’d do in the future. It costs a lot, I’m not going to lie, but you have a lot of freedom that you may not have with publishers.
  • Cover reveal: This was a great way to gain attention. I found an amazing artist who really hit the nail on the head. People loved the cover, and that kept bringing an audience back to me. Or at least made people pause when they scrolled through it. Cover reveals are great media pieces, especially if you have an incredible artist. Start it early, and get your name out there.
  • Social Media: I probably made my social media life a lot harder than it needed to be. Facebook and Twitter both brought people over to my website. Whether that will lead to sales remains to be seen at this point. It’s something you definitely need to do to keep up your audience, but the amount of social media presence is really up to you. I think Facebook, Twitter, and Instagram get me my best audience. Wattpad and patreon fall a bit more to the wayside. At the very least, this is a great way to gain connections and find out about other signings, and bond with writers and readers. Recently, my blog posts have started to gain more attention.
  • Website: A must have. I spent more on this than I had anticipated, but it’s worth the cost. I have a store where I can sell my books. And it’s a one-stop-shop for everyone. If I only have one piece of social media to offer up, this is definitely the one I give. I update it every week, too, and that seems to keep the numbers up.
  • Patreon: To be honest, Patreon is not one of my successes. It’s gone well for other writers, but I’ve really struggled with gaining an audience. I’m hoping that now PDD 1 is out, that’ll bring more people in for PDD 2. Part of me wants to give it up completely, but I still think there’s worth in it. If anything, it keeps me on task because I have to post something every 15th of the month.
  • Interviews: This was a big help. Interviews introduced me to new readers and audiences. They made people see that I’m very much a human, and they got to know me and my view of working as a community. I would say get as many interviews as possible, and research if there’s a good response turn out for that interviewer’s blog.
  • Libraries/bookstores: I didn’t have as much success as I would have liked, but I don’t think I tried as hard as I could have. I’m still reaching out to bookstores and libraries, but I’m finding that they prefer to agree to carry your book once it’s printed. That being said, I did just receive my first paycheck from one of the bookstores!
  • Press: This was a dud, but that was my fault. I did reach out to newspapers, but I neglected to reach out to tv and radio stations. I think I just ran out of time, which was an issue. I sent press releases to four local papers and only had one respond.
  • Swag: While this turned out to be a lot of money, the swag really caught people’s attention. When I couldn’t give out the book because it was still in progress, I could at least offer bookmarks, jewelry, and other items. They were all very eye catching, and they’ve served to help bolster the world of PDD alongside the book.
  • Indiegogo Campaign: The campaign enabled me to pay for my first shipment of books, but it definitely didn’t land where I expected. There are a lot of ways in which I would improve on it (more below).
  • Book Launch Location: The location was really great. The only downside is the website has slightly confusing directions, so some people got lost, but they still managed to show up. I had at least 30 people stop by in a 2-hour time frame.
  • Giveaways:  On one hand, not many people participated in the giveaways. It almost felt like, what was the point? On the other hand, the people who won were ecstatic and let me know about it, and that felt wonderful.
  • Newsletter: I suck at newsletters, hah! This is still a work in progress! Now that I have about 250 people, I’m hoping that will lead to some sales.
  • ARC: Definitely glad I did this. My ARC folks came through for me and helped me get several reviews both on amazon and goodreads. I’m talking with even more people about doing reviews, so I hope my #questto50 makes it on amazon.
  • Paid Ads: Honestly, I don’t think these were worth the money. Unless you’re willing to spend $100s of dollars, I don’t think they give you much turn out.
  • Connections/Signings: Personal connections with people and in-person signings definitely were great successes. I’ve met so many incredible people over the last six months, and many also ended up buying my book to show their support. I did the same for their books as well. The biggest success came from working with the community. They always say you should build an audience, but I’d much rather build up true connections with people and have us help each other. Rising Tide, as Brian K Morris says.

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What I’d Do Differently

  • Press: I would reach out to more press outlets about my book. One suggestion an author made to me was to send formal invitations to newspapers, tv, and radio stations. If you can get a big star to come, that’s something you can talk about and attract more people. I’d also write more press releases to introduce my book.
  • Indiegogo Campaign: If I did this again, I’d give myself two months instead of one to raise the money. One month wasn’t enough. I would also promote it more, and likely do that through press news. My tiers would be more reasonable as well. I wish I could have given out more stuff to people, but I was still in the early stages.
  • Relevant Signings: I’m working on this now, but I would have set up a signing in Chicago right off the bat. The book is set in Chicago, after all. I should have reached out to Chicago bookstores and media as well.
  • ARC: I would find more ARC readers for the book. I’ve received many incredible reviews (thank you, everyone!) But getting more reviews right away would be helpful.
  • Time/Self-Care: Give myself more time to breathe. During the six months, I thought I was going to lose my mind. There were plenty of tears and nights where I felt like I couldn’t do this, and that I’d turn into a failure. It was because I wasn’t taking care of myself. I wasn’t sleeping. I wasn’t eating well. There were other factors that made self-care difficult, but the book launch was one of those major stresses in my life that I’m both happy and sad is over. I’d definitely give myself a day (at least) every week where I didn’t work on anything.

I told you, this was going to be a long one. Overall, I think the book launch was a big success. In 7 days, I sold about 70 books, and I have interviews and signings coming up over the next few months. I’m working to attend bigger conventions that might bring more attention to my book, and to me as an author. Maybe I’ll even find an agent to represent me for the other stacks of books I have waiting in the wings.

As a final note, I want to again thank everyone who has supported me through this journey. You all are incredible and I can’t thank you enough.

As always, if you have a topic you’d like me to discuss, post it below!

Happy writing!